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Tears of Blood (02 Jun 2013) on IMDb
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Enter Pyongyang from JT Singh on Vimeo.

“Enter Pyongyang” is another stunning collaboration between city-­branding pioneer JT Singh and flow-motion videographer Rob Whitworth. Blending time-lapse photography, acceleration and slow motion, HD and digital animation, they have produced a cutting‐edge panorama of a city hardly known, but one emerging on the visitor’s landscape as North Korea’s opening unfolds.

North Korea was the last country seemingly immune to change—but no longer. Recent years have witnessed mobile phone penetration, a surge in tourists, and even a marathon. Numerous special economic zones have been launched in cooperation with China, Russia, and South Korea, with railways planned linking all countries in the region. “Enter Pyongyang” captures not just the city, but this dynamism and sense of potential.

This video is the single most significant multi-­media contribution to transcending clichés about North Korea as a society defined by reclusiveness and destitution. To travel there is to witness a proud civilization, though one caught in a Cold War time-warp. Korean cultural traditions are meticulously preserved and displayed in authentic richness. Anyone who has witnessed the awe-inspiring Mass Games knows that, with great sacrifice, North Koreans can pull off a performance unparalleled in its precision.

“Enter Pyongyang” captures the reality of North Korean citizens as earnest and humane, not automatons. The infamous traffic ladies and subway guards stand stiff and sentinel—but today they share a smile too. The more North Koreans one meets, the more one sees an organic society that wants to be a normal country. If you travel there not to judge but to appreciate, you will come away with a better understanding of how challenging national transformation can be.

"Enter Pyongyang" is above all an invitation to explore. Few places in the world have been as hermetically sealed as North Korea, but Koryo Tours has made it possible not just to see North Korea but to engage with it in ways that were impossible until very recently. This is a window of opportunity not to be missed. If Pyongyang is no longer off limits, no place is.

—Foreword by Dr. Parag Khanna, Director, Hybrid Reality

Koryo Group: The Koryo team brought a wealth of valuable knowledge and expertise to this project. Thanks to their extensive experience in running tourism and cultural engagement projects in North Korea since 1993, we were able to get unprecedented access in Pyongyang. We are thankful to the Koryo team and their Korean partners for an unforgettable experience.

FAQs

-How were you guys allowed to film in Pyongyang?

This project was produced in conjunction with Koryo Tours, the leading North Korea travel specialist. Co-producer Vicky Mohieddeen of Koryo Tours was with us throughout the shoot.

-Were there restrictions on what was allowed to be filmed?

We were closely assisted by two guides from the National Tourism Administration, who helped us gain special access to locations and made sure that we followed all the rules. As is standard for all foreign visitors to the country, we were not allowed to shoot any construction sites, undeveloped locations or military personnel. Other than that we were given relatively free reign.

-Isn’t this all fake? You don’t see the real North Korea.

The average visitor to Pyongyang is likely to be surprised by the scenes they encounter and are especially surprised about how clean and orderly the city actually is. Indeed, people living in Pyongyang and other major cities enjoy a higher quality of life than those in other parts of the county.

-Are people allowed to travel to North Korea?

Yes, despite what the majority of people think, it is possible to visit North Korea as a tourist. North Korea does not release official data on the number of Western tourists it receives, but estimates range from 4,000 to 6,000 per year. Most of the foreign tourists are from Mainland China, estimated in the tens of thousands annually.

-Were you paid to make this film?

We volunteered for this project with no pay at all. All other travel expenses for the 6 day trip were covered by Koryo Tours.

-Does this film support the DPRK government?

"Enter Pyongyang" is an observational film. At no point did Koryo Tours or we have to pretend to be supporters of the DPRK Government or their philosophy in order to be granted permission to shoot this film. Amazingly, we were given complete editorial control in the making of this piece.

Tom Day (Music)
Website: tomday.me
Soundcloud: soundcloud.com/tomday

JT Singh
Website: jtsingh.com/
Facebook: facebook.com/jtssingh
Twitter: twitter.com/jtssingh

Rob Whitworth
Website: robwhitworth.co.uk/
Facebook: facebook.com/RobWhitworthPhotography
Twitter: twitter.com/kwhi02

Koryo Tours
Website: koryogroup.com
Facebook: facebook.com/koryotours
Twitter: twitter.com/koryotours

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Έπρεπε να διδάσκεται στις κυβερνήσεις - εκτός από σχολεία. 

By John J. Mearsheimer

image

According to the prevailing wisdom in the West, the Ukraine crisis can be blamed almost entirely on Russian aggression. Russian President Vladimir Putin, the argument goes, annexed Crimea out of a long-standing desire to resuscitate the Soviet empire, and he may eventually go after the rest of Ukraine, as well as other countries in eastern Europe. In this view, the ouster of Ukrainian President Viktor Yanukovych in February 2014 merely provided a pretext for Putin’s decision to order Russian forces to seize part of Ukraine.

But this account is wrong: the United States and its European allies share most of the responsibility for the crisis. The taproot of the trouble is NATO enlargement, the central element of a larger strategy to move Ukraine out of Russia’s orbit and integrate it into the West. At the same time, the EU’s expansion eastward and the West’s backing of the pro-democracy movement in Ukraine — beginning with the Orange Revolution in 2004 — were critical elements, too. Since the mid-1990s, Russian leaders have adamantly opposed NATO enlargement, and in recent years, they have made it clear that they would not stand by while their strategically important neighbor turned into a Western bastion. For Putin, the illegal overthrow of Ukraine’s democratically elected and pro-Russian president — which he rightly labeled a “coup” — was the final straw. He responded by taking Crimea, a peninsula he feared would host a NATO naval base, and working to destabilize Ukraine until it abandoned its efforts to join the West. 

Putin’s pushback should have come as no surprise. After all, the West had been moving into Russia’s backyard and threatening its core strategic interests, a point Putin made emphatically and repeatedly. Elites in the United States and Europe have been blindsided by events only because they subscribe to a flawed view of international politics. They tend to believe that the logic of realism holds little relevance in the twenty-first century and that Europe can be kept whole and free on the basis of such liberal principles as the rule of law, economic interdependence, and democracy.

But this grand scheme went awry in Ukraine. The crisis there shows that realpolitik remains relevant — and states that ignore it do so at their own peril. U.S. and European leaders blundered in attempting to turn Ukraine into a Western stronghold on Russia’s border. Now that the consequences have been laid bare, it would be an even greater mistake to continue this misbegotten policy.

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